Leonardo DaVinci - Highly Intelligent man?

Leonardo di ser Piero da Vinci: (April 15, 1452 – May 2, 1519, Old Style) was anItalian Renaissance polymath: painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. His genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. Leonardo has often been described as the archetype of the Renaissance Man, a man of "unquenchable curiosity" and "feverishly inventive imagination". He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived. According to art historian Helen Gardner, the scope and depth of his interests were without precedent and "his mind and personality seem to us superhuman, the man himself mysterious and remote". Marco Rosci states that while there is much speculation about Leonardo, his vision of the world is essentially logical rather than mysterious, and that the empirical methods he employed were unusual for his time.

Born out of wedlock to a notary, Piero da Vinci, and a peasant woman, Caterina, at Vinci in the region of Florence, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. Much of his earlier working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded him by Francis I.

Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait and The Last Supper the most reproduced religious painting of all time, with their fame approached only by Leonardo's drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro, textbooks, and T-shirts. Perhaps fifteen of his paintings survive, the small number because of his constant, and frequently disastrous, experimentation with new techniques, and his chronic procrastination. Nevertheless, these few works, together with his notebooks, which contain drawings, scientific diagrams, and his thoughts on the nature of painting, compose a contribution to later generations of artists rivalled only by that of his contemporary,Michelangelo.

Leonardo is revered for his technological ingenuity. He conceptualised a helicopter, a tank, concentrated solar power, a calculator, and thedouble hull, and he outlined a rudimentary theory of plate tectonics. Relatively few of his designs were constructed or were even feasible during his lifetime, but some of his smaller inventions, such as an automated bobbin winder and a machine for testing the tensile strength of wire, entered the world of manufacturing unheralded. He made important discoveries in anatomy, civil engineering, optics, and hydrodynamics, but he did not publish his findings and they had no direct influence on later science.

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Extraterrestrials and Leonardo Da Vinci | Ancient Astronauts

This episode examines some of the paintings, sketches and journals of legendary artist and engineer Leonardo Da Vinci, and alleges that some of his work may have been inspired by alien technology he may have encountered. Discussed are the possibility of hidden messages within his work such as parts of his paintings that disappear under x-ray scans; his use of mirror writing to make his notes illegible to prying eyes; his sketches of inhuman and monstrous creatures, and what DaVinci might have been doing when he seemingly disappeared for two years after finding a mysterious cave.

Ancient astronauts or ancient aliens, also known as paleocontact hypothesis, are purported intelligent extraterrestrial beings said to have visited Earth in antiquity or prehistory and made contact with humans. Proponents suggest that this contact influenced the development of human cultures, technologies, and religions. A common variant of the idea is that deities from most, if not all, religions are actually extraterrestrials, and their advanced technologies were wrongly understood by primitive men as evidence of their divine status.

These proposals have been popularized, particularly in the latter half of the 20th century, by writers such as Erich von Däniken, Giorgio A. Tsoukalos, Zecharia Sitchin, Robert K. G. Temple, David Icke, and Peter Kolosimo, but the idea that ancient astronauts actually existed is not taken seriously by most academics, and has received little or no credible attention in peer reviewed studies. Ancient astronauts have been widely used as a plot device in science fiction.

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